I’ve noticed that my last few blog entries have tended to err on the heavy side. I promised my readers diversity and I fully intend to fulfill that promise. So now I present to you:
Why Brits do it (television comedy) better!
Having grown up along ‘the border’ I’ve had the opportunity to sample the televisual delights from countries as diverse as the United States, Canada, Ireland and the United Kingdom. Now I reckon I know what you’re muttering under your breath – all 4 of those countries are English-speaking highly developed nations who share a hyper-commercialized culture. You’re right, but here I’m talking about comic diversity.
This comic diversity is most visible in stand-up comedy. But these same types of humour are what greatly influence the production of television comedy programs.
The Irish are the kings of self-deprecation. From the accent to the way Irish men dance in clubs, Irish comedians love to take the mickey out of themselves and their country men. Some comedians, such as Patrick Kielty even go as far as to use the IRA as a point of humour. They also share with the Scots a penchant for dark humour where death can easily be as funny, if not funnier, than life.
The Brits (English/Welsh/Scottish) are a bit of a mixed bag. The English have their famous dry wit and a unique way of making the dirtiest jokes sound clean. The Scottish have an amazing combination of subtlety, black humour and the ability to mock their neighbours to the south and get away with it. The Welsh tend to absorb all the comedy types around them and fuse it into something unique, if often undecipherable.
Canadians also like to think they are good at self-deprecation, but they tend to be better at this when the individual comic lives multiple identities (ie. Deborah DiGiovanni being a woman, Italian and Canadian or Russel Peters being brown and Canadian). Canadian comedy tends to be fairly physical and enjoys occupying a middle ground between British and American humour. All in all it’s quite funny, even if you wonder whether the humour is intentional or a by-product of the “We’re different! We aren’t American! Pay attention to us!” complex Canadian comedy, tv and film has tended to suffer from over the past 30 years.
American comedy tends to be slapstick or rude and sometimes both. Self-deprecation is common, but that doesn’t mean it is done well, such as the ‘red neck’ comedy phenomenon. Can anyone really laugh comfortably at one of these kinds of jokes, let alone heckle, knowing that the comic might be carrying a concealed hunting rifle? Years and years of American television, movies and stand-up comics and by-and-large I still don’t find Americans funny.
Of all of these types of comedy, one stands head and shoulders above the rest in terms of television adaptability. British television comedy, often infused with a sizable helping of Irish, is simply the funniest. Is this statement biased? Yes. Is it just personal opinion? Absolutely. Do I have any ‘proof’ to back this claim up? No and I bet you don’t want to invest $100,000 dollars in government spending so that a group of social sciences academics can come up with some.
British comedies or britcoms as they are lovingly known have proven themselves to be rather timeless. I can still watch Monty Python’s Flying Circus and laugh at all the jokes, Fawlty Towers will never get boring, Keeping Up Appearances still keeps up spirits and Are You Being Served? continues to service comedy audiences around the globe 25 years after its last broadcast. And these shows can’t even be considered the peak of British television comedy.
I stand by the fact that The Vicar of Dibley is the funniest television show that has ever been produced anywhere. Spaced is a wonderfully scripted comment on what happens when 30 becomes the new 20. Kris Marshall’s performance in My Family is a never-ending source of giggles. As much as I love Steve Carrell and John Krasinski, the Brits even have the better (and the original) version of The Office. I think a good chunk of this difference in quality is attributable to the difference in the way ‘seasons’ or ‘series’ are organized.
The Brits tend to churn out between 6 and 10 episodes per ‘series’ (equivalent to the American season) while Americans are expected to produce between 20 and 24 episodes, at least double and possibly quadruple that amount. British writers are able to focus on writing 6 amazing episodes as opposed to 24 mediocre ones. It just makes sense for good comedy.
Now that you’re excited about British comedy, if you haven’t watched it before you might be wondering where to start. I’ve got 2 lists to help you with that.
My Top 5 British Comedy Programs Still On Air
- Outnumbered
- My Family
- The IT Crowd
- Inbetweeners
- Gavin and Stacey
My Top 10 British Comedy Programs of the Recent Past (1995-Present)
- The Vicar of Dibley
- Spaced
- Father Ted
- Coupling
- Cold Feet
- The Office
- My Hero
- Two Pints of Lager and a Packet of Crisps
- Beautiful People
- Massive (a one series wonder)
You can often watch a whole series in the same time it would take to watch a Peter Jackson film, so there’s really no excuse for not giving one a go if you’ve some time on your hands.
Happy Viewing!